welcome new members

topic posted Thu, July 26, 2007 - 7:30 AM by  Ali
Well, the big stink I caused over on FC's tribe has had at least one positive effect: We've got lots of new members here. And so, thanks for joining, everyone.

Historically, we've a quiet tribe, but that does not need to be the case, so if you have any comments, questions, or topics for discussion, feel free to speak up. All voices and opinions are welcome.

love.
ali
posted by:
Ali
offline Ali
New Orleans
  • Re: welcome new members

    Thu, July 26, 2007 - 9:34 AM
    NOT a new member been here for ages...
    I read your post..you rock...

    Mahalla does improv, but we adapted FCBD moves to fit us, as well as moves influenced by domba, awalim, zafira, rachel brice, and of course urban gypsy...and well NOmadic...and others...so we accept...ourselves as Tribal Fusion.

    We do improv moves as well as improv skirt and improv candles.

    We adapt our costumes music etc based on our audience.

    Nomadic IS a huge inspiration to us --so whether you are ATS, TRibal, or Whatever...
    You guys ARE an inspiration to many many dancers out there..

    Marisela of Mahalla TRIBAL Fusion
    • Re: welcome new members

      Thu, July 26, 2007 - 4:28 PM
      I agree! That was no stink Ali! It sure got everybody talking! I loved it! And I believe I kind of started it too with my posting about Tribal Union, etc. I'm a big fan of you ladies, I've been a member before and I'll still be a member of this tribe no matter what! Namaste y'all!
  • Re: welcome new members

    Fri, July 27, 2007 - 6:10 AM
    I'm not a member of the FCBD tribe so I had to go over there to read what you were referring to by this post. Kudos to you for opening that can of worms since so many dancers out there have the same questions and concerns. I know how much you aspire to stay true to the aesthetics of FC so I know it must sting to be told that unless you are working closely with Carolena, you can't call yourself ATS!
    • Re: welcome new members

      Fri, July 27, 2007 - 7:14 AM
      I, too, am not sure what the issue is, and am not even sure what posting it is referring to as I was not a member of FCBD tribe. I have always had issues with the idea of 'pure ATS' and the idea that 'if you don't do it this way, its not ATS'. I was always of the opinion that the purpose of ATS was to be a fusion and each troupe to make it our own. But that is my own opinion... and we know that everyone has one of those... lol
      kisses.. Liz
    • Re: welcome new members

      Fri, July 27, 2007 - 7:44 AM
      First, sorry to expose some of you to a stink you didn't know existed! I try not be one of those people who says, "This smells awlful. Smell it!" But in this case I guess I just assumed you all waste as much time on the Internet as I do! And like Sooz said and some of the rest of you implied: It wasn't really a stink as much as a legitimate questioning of what the real terms are these days, which is fair and apparently--judging from the numbers of private messages I received--warranted.

      Unfortunately, the cult of personality surrounding Carolena et al. and the growing cult-like rhetoric about ATS creates a situation where no true discourse can occur. Those who attempt to engage in such conversations about this artform are painted as dissidents who neither understand nor support ATS. I think it's important to remember, though, that much of rhetoric is coming from dancers whose studies are still rather young, and so it's no shame to have such unyielding faith in your guru. And I think it's important to remind folks that the best way to support and show respect for any movement is to question it and challenge its rules. I'd rather burn a flag than wave one, if that's what it takes to call attention to potential inequalities in the system.

      Finally, despite all of _my_ patriotic rhetoric, Sonya's right on in her evaluation of where I am with all of this: It does sting--or at least it did at first. And even though I won't be calling myself or my troupe ATS anymore, I still love ATS and consider it my roots (even if I'm not supposed to!--that's the kind of rebel I am).

      love.
      ali



      • Re: welcome new members

        Fri, July 27, 2007 - 8:16 AM
        What happened? Is there another big stink about people calling themselves ATS now?? I looked at the FC tribe and could figure out what you were talking about so I figured I would ask here :)

        I do ATS or at least I think I do. and call my troupe an ATS troupe, I have done the General Skills Certification, and am anxiously awaiting Carolena's Teaching Training (the new one she says she will offer, not the one where you have to ONLY do ATS since we do have started to do more improv that is not specific to FCBD). I also kjust started doing improv skirt work, and improv bhangra (way fun!)

        Should I not be calling myself ATS? Maybe it is time for my group to become Wallah Tribal Fusion (loving that acronym! )
        • Re: welcome new members

          Fri, July 27, 2007 - 8:49 AM
          Well, Joyce, that was the question I asked. You can read the entire discussion on the FC's tribe's Tribal Fest thread.

          What I gathered from Carolena and others is that if you are employing any movements, any costuming, or any music that FC is not currently employing, then, you are not ATS. What I understood--and again, read the thread for yourself--is that that working within the framework of ATS is no longer considered acceptable, for Carolena wants to have ultimate control (as an artist) over every aspect of her artform. Apparently, those who achieve sister-studio status will be allowed to innovate within the framework IF those innovations are approved by Carolena and then, shared with all other ATSers. The result will be a solid and clearly defined ATS repertoire with no deviation or derivation from troupe to troupe (ideally).

          I don't know if these sister studios will be allowed to pursue other danceforms (e.g., Bhangra) as an aside to their ATS studies/teachings or not.

          love.
          ali
        • Re: welcome new members

          Fri, July 27, 2007 - 9:14 AM
          Joyce, the thread is called "TF 7 Performance" in the FCBD tribe.

          We've been going through the same confusion. We thought it was OK to call ourselves ATS even though we do a few FC moves differently due to the "telephone game" as Ali put it and added a handful of moves picked up from other dancers. Now we're left scratching our heads as to what to call ourselves. "Fusion" kind of implies the stuff that Rachel Brice and her associates are doing and we don't want anyone to come to us expecting that. Rita, last I heard, said she was just going to call her classes "tribal style" and try not to worry about it!
          • Re: welcome new members

            Fri, July 27, 2007 - 9:29 AM
            Yeah, I am right there with on the "Fusion" acronym and not really sure I want to adopt it; I would say right now my dance is far more 'world' dance than fusion.

            While I am inspired by groups like the Indigo, Urban Gypsy and such, my first and primary Tribal influence was FC, it is probably 95% improv using the angles and formations that I have learned fro FC,it is heavily laden with FC steps incorporating other steps to follow said angles, cues and formation.

            Going to go check out that thread now :)
            • Re: welcome new members

              Fri, July 27, 2007 - 9:54 AM
              Just finished reading that thread and for crying out loud! Sometimes I don't get people!

              Yes, Carolena formulated and codified the dance that we know as ATS, as improv with a specific angle and cues, and she even states in her video and restates on tribe that someone else used ATS to describe and differentiate her style from more traditional belly dance. Since she did not coin it, and it is descriptive of her style (as compared to the "Suhaila Method"), I do find it a bit absurd to think that Carolena can claim the "American" part of ATS;. So the rest of us are not American? We are just Tribal Style? AS much as I disagree with the politics of our country, I am proud to be American, and find that the descriptive moniker of ATS fits me and my troupe.

              So, I still say Tribal Wallah is ATS since we stick to the FC format that ATS describes for most of our dance, and maybe I will have an offshoot troupe for anything else (Bhangra, Skirt Dance, etc).
              • Re: welcome new members

                Fri, July 27, 2007 - 10:35 AM
                Good point, Joyce! When I first heard about Tribal Pura, I thought that was going to be the term for strict 100% FCBD style which sounded cool to me. Later, I discover, no, it's the mechanism by which people learn ATS and if you don't do it, then you aren't ATS.

                As if belly dance didn't have enough drama to it already! Honestly, between this and other things, it makes me just want to engage in more individual creative pursuits like gardening!
              • Re: welcome new members

                Sun, August 5, 2007 - 6:26 PM
                again, i don't get why, regardless if SHE coined the term or someone else coined it FOR her, it can't be hers. someone else came up with the name FatChanceBellyDance, should that not be hers either???

                for pete's sake.

                i REALLY don't get what the fuss is about.

                oh wait, are my cult membership underpants showing?
      • Re: welcome new members

        Sun, August 5, 2007 - 6:17 PM
        i saw part of the thread and then heard about things going on to cause it to be deleted. i never saw the "aftermath" that caused it to be deleted but it was apparently getting ugly and neither FC nor carolena wanted that. at all, much less in the tribe THEY moderate. it has nothing to do with shutting down conversation. i feel they were very fair to everyone involved up until i stopped reading (about the time when everyone was "thanks for clearing that up carolena!"). regardless of what happened later, i would be very surprised if you were referred to as a "dissident" of ATS who neither "understands nor supports" it. maybe one person was misguided and said such a thing, perhaps in the heat of the moment, but really don't feel megha nor carolena would consider you that. if you're honest, i feel sure you know that. i could be wrong, but it seems like perhaps the sting made you feel as if it was personal to you? again, i don't know, i didn't see it. but i don't see how this post and some of the consequent replies are particularly accepting of differing opinions either seeing as how some rather passive aggressive ad hominim is happening here.

        if "cult of personality" means admiring and respecting the person who created what we love and defending it as well as its creator's right to her creation, then that's what we are - though it sure seems derogatory to those of us who are "young" in our study. because having not danced it long, aka. "young" means we are naive and can't think for ourselves, right? at least as far as the tone here goes for me. if i'm wrong, i'm happy to be corrected.

        who said you're not supposed to call ATS your roots? what is wrong with taking something you love and adapting it and evolving it into what you want it to be for you? and conversely, what is wrong with keeping ATS pure to its roots and/or pure to its creator's vision????

        if you take a chair, add other chairs to it with one long back and one long seat, is it chair anymore? no. it's a sofa. bad analogy i know but i think it's ridiculous to be sensitive when you are taking something from it's original context, changing it, and getting upset the creator no longer calls it by the name of the original concept. unyeilding faith? ok, if you want to say it like that. when it's HERS and we have dedicated ourselves to HER vision, then yes, i guess so. and i see nothing naive or young or anything else derogatory about it. do we need to question her authority? NO. it's HER creation. she can do what she sees fit and if we don't like it we can pound sand. that's the beauty! she doesn't care if you take her concepts and make them your own but hers are HERS!

        i have personally heard someone say "i do ats! i took what carolena made and made it better!" um. if you changed it - it's no longer the orignial concept and no longer has to be called by the original concept's name. why is that so upsetting? wha?!?!?

        i'm sure if you worked hard on something of your own, developed it, perfected it to your vision and it became popular and appreciated, and someone came along and changed it then tried to call it by the name of your creation when it did not fit with your vision, you would take exception. hello? it's your baby. you want what is accredited to you to reflect you. you DON'T want what you don't particularly include in your vision accredited to you. is that such a foreign concept???

        i just don't get why ATS being ATS devolved into name-calling and condescention nor do i get why people are jumping on this "cult-like rhetoric" b.s. bandwagon. it's ridiculous and insulting and i would have thought most people above that crap. but maybe i think to highly of people. maybe i AM naive.
        • Re: welcome new members

          Sun, August 5, 2007 - 7:58 PM
          Heather:

          Thanks for your thoughtful post. You've asked a few questions that I'd like to try to answer--and perhaps destinkify the whole issue, for again, I didn't mean to cause a stink or cause people to smell a stink to begin with.

          The issue for me was entirely personal for it directly affected my troupe, and here it is again, hopefully clearer:
          I understand and respect Carolena's attempts to keep her ATS vision free from dancing done poorly (which, let's be real, there is tons of) and dancing done outside the ATS framework. For me, it's very clear that BSBD and GC and certainly UG (and most others!) are not ATS, for they've _intentionally stepped outside the ATS framework_ to innovate their own styles.

          However, what I didn't understand, and thus, asked about was this:
          What about those troupes, like n.o.madic and like Devyani back in the New Orleans' days, who are/were _intentionally working within the framework_ but nonetheless, innovating? For example, during our time with Devyani, we instituted new costuming, new music, new movements, and even new formations, but we did so with the utmost respect of the ATS framework, wearing (to use Deanna's expression) our What Would Carolena Do (WWCD) bracelets. We've continued this practice in n.o.madic, but by the definition FC is ATS and ATS is FC, the results of the innovations are not ATS. So even though we've spent our dance lives honoring the ATS framework and uplifting the ATS flag, we have recently learned that we cannot continue to claim ATS as our own. I speculate that if this information had come to light back in 2002, Meg would have been just as confused or hurt.

          And, again--and I don't think I should apologize for this part: It made me sad. I wanted to hear Carolena say that FC was one work of art that resulted from her amazing creation of the ATS movement, but that as long as troupes were working within the ATS framework, that many differing works of art could result and still claim membership in that movement. Her answer was simple: No. Because I do respect Carolena and Meg and FC and Devyani, I've accepted this news. Again, my original "stink" had nothing to do with challenging Carolena's directive, but had everything to do with making sure I'd understood it properly.

          I hope that clarifies my position. Please let me know if you have any further questions about where I was coming from.


          To clarify my comments about young dancers and cult of personality, I'll say this:
          By young dancers, I meant those who've been practicing for a short time, and by practicing, I mean a devoted study of the movements, the music, the costuming, the history of the dance and those difficult to define qualities that give ATS that je ne se quois that drew us to it in the first place. (If you have studied with Meg for any duration, you are NOT a young dancer; she makes sure of that!)

          By cult of personality, I mean those whose arguments rely entirely on appeals to emotion rather than logic.



          ------------
          In closing, two points:
          I want to be reiterate that I don't blame Carolena, Meg, or any ATSers for attempting to define nor defend their art. I also don't blame those who've been clearly cordoned off for feeling a bit left out.

          I also want to clarify that I wasn't attempting to enflame some sort of secret anti-ATS rally over here in the n.o.madic tribe. In fact, my intentions were utterly benign: to welcome the 20+ new members who'd joined as a result of the thread in question. That welcoming post is nearly exactly like all other previous welcoming posts I've composed in the past (most often privately to new members)--including the part about freedom of speech. Moreover, my welcoming post was composed before the thread was deleted, and like you, I didn't see the ugly part that caused it to be removed so any seeming connection between my opening post and the deletion of the ugly thread are just that.

          Finally, as moderator here and supporter of free speech, let me say that I welcome your and everyone's contributions. I honestly believe that discourse can happen on the Internet if fostered and I obviously believe that discourse is valuable. But unfortunately, you're right, Heather, some people fall prey to appeals to emotion and logical fallacy. Such is the nature of our beast. Hopefully, though, if we allow all biases and prejudices to be aired, the most noble ones will gain strength.




          love.
          ali
          • Re: welcome new members

            Mon, August 6, 2007 - 8:58 AM
            Like Ali said, it is the whole sudden move to codify and certify ATS that is suprising those who have been doing it for a while under the understanding that you could do some innovating with the parameters of the style and still remain ATS. Back in the '90s Carolena didn't seem to be as strict and did certify people who did things a bit differently. So having people repeatedly say, "Well, duh, you can't change something and call it the same thing" is a little insulting.

            OK, so Carolena has seen some things she doesn't like done in "the name of ATS" and is now worried about her legacy. I guess some of the extreme modifications made since Heather Stants, Jill Parker, and Rachel Brice have come to fame and inspired tribal dancers are more than she can take so she's cracking down on any modifications. Now that she's made it clear, we are all coming to terms with it. I'm not a big innovator myself and had wanted to stay close to the FC structure initially. I don't want to constantly have to be obsessing about whether I'm doing a move exactly in the FC way lest I get slammed behind my back, though. I'm cool with changing the descriptive term if it will satisfy the ATS police! Like others have said, it does give more freedom of creativity.
            • Re: welcome new members

              Mon, August 6, 2007 - 7:36 PM
              you still can do some innovating within the parameters and remain ATS. it's just a matter putting it before carolena to decide if she feels it works with her ideals. no, not if it's "right" or "wrong" but if it works.

              why is it insulting to assert that changing something makes it no longer the same? i honestly don't see where that would be insulting, seems like common sense to me. i'm not being obtuse, i really don't get the connection.

              i dare say you wouldn't be slammed behind your back. if you are genuinely trying to do it correctly, you wouldn't be "slammed" at all, generally speaking, of course, as no one can speak for everyone (case in point, she's doing what she feels best and coming up against a whole spectrum of b.s. as if she's some dance facist trying to take over the world - "ATS police"?) . but yeah, if you say, "hey, i'm going nekkid but my elbows are up, my chest is lifted and i'm wearing a turban!" (not that you would) that's not really genuine to the ATS aesthetic and, yeah, upset most likely would erupt.

              i'm not sure all this is sudden...but i don't know what she could have done to avoid all this drama. what would you have had her do to break it gently? or does everyone just want her to say "ok. whatever you're doing is fine. i really don't care about this dance format i spent blood, sweat, tears and years developing. dress up like clowns if you want and go for it"? seroiusly. how can she make it all ok with everyone and still be true to herself? right. she can't. because someone somewhere is going to be mightly upset if she doesn't accept their way and pull them to her bosom. there was a bit of that even before all this.

              where is the hard-won respect this woman has earned and easily deserves, for pete's sake? i would bet there are others out there who would not earn this kind of public ire for their assertations. why isn't there a public uproar of tribal dancers aggravated that suhalia appears to be claiming tribal as hers when the only connection she has to it and it's development is her mother? she is invited to headline tribal festivals and/or cons and does cabaret dance as her performance for the love of schneikies. why aren't people insulted by that but they are furious at carolena for actually wanting to make sure her "legacy" reflects her? why, when daily we fight the perception that we are strippers and "exotic" dancers, are people doing burlesque at bellydance venues? i love burlesque as much as the next guy, done well and in the right venue, but NOT at a bellydance show and not where it is unwittingly sprung on people who have their children present. where is the outcry?

              ok, i'm way off topic. it just annoys me that carolena meets with such judgement and criticism when all she's doing is trying to keep that which she developed in line with how, and why, she developed it.

              but take what you wish from it and make what you wish from it.

              i am done with it. i've said my piece, others have said theirs and the pieces will probably not complete the puzzle and so it is.
              • Re: welcome new members

                Tue, August 7, 2007 - 11:32 AM
                ......<<why, when daily we fight the perception that we are strippers and "exotic" dancers, are people doing burlesque at bellydance venues? i love burlesque as much as the next guy, done well and in the right venue, but NOT at a bellydance show and not where it is unwittingly sprung on people who have their children present. where is the outcry?>>

                But there is A LOT of outcry! Perhaps you are not on the right Tribes? Perhaps you missed the MUCH DISCUSSED DRAMA over a certain performance at Rakkasha last year by Kaya & Sadie of Groove du Monde, or the Pierced Wing performance at Tribal Fest 6? I believe Unmata has received some heat over their recent "Pony Play" performance.
          • Re: welcome new members

            Mon, August 6, 2007 - 6:47 PM
            well, first i'd like to say that i saw nothing from you in the notorious missing thread that i would have ever considered to be making a stink. in fact, i found your questions, answers, comments to be respectful, thoughtful and eloquent.

            just like back in the day when devyani created the moves that are now part of ATS, you can still do that. i would bet that carolena would love to see what you've developed and, if she felt it was in line with her ideas, she would adopt it as ATS. i don't think meg nor carolena want anyone to think that only FatChance and Devyani can create within the framework of ATS - only that carolena wants to approve what is going out into the world as part of her format . not only so that she can keep it within the framework, but also so that everyone involved can learn it and thus teach it in their respective classes all over the world - another part of her vision she outlined. if you really feel what you've done is true to the "WWCD" deal, then go for it! and remain ATS if that's what you want. continue to help ATS grow and evolve. if not, hey, that's ok, too.

            no, i don't believe you came here and made the original post as the beginnings of an anti-ATS rally and i don't really believe it turned into that. it took me a while to even know that thread-that-shall-not-be-named had been deleted and i never once thought you had anything to do with it turning ugly. but it sure did turn up some mud-slinging and yes, along with carolena, i feel devyani birmingham were targets.

            in terms of speaking of the "young" , "cult of personality" and "cult-like rhetoric", i don't know to whom you would have been referring as the only person i saw who was young in the thread and recited what she had learned from ATS classes, admitted she was new and said "please correct me if i'm wrong". that doesn't sound like cultish rhetoric or unyeilding faith to me - that sounds like a young dancer trying to learn and speaking of that she feels she has learned. the ones who were defending carolena's right to her dance, who were speaking out in agreement with carolena and thus contrary to how it appears you believe, were members of devyani. thus - i think it could easily be concluded that you were speaking of them. i should say, us, because even though i'm sadly no longer a member of devyani, i agree wholeheartedly with the movement about which we are speaking.

            when i was a part of devyani, we looked up to devyani new orleans as our big sisters. we were proud of our legacy and we loved that we had the devyani moves that you guys created and contributed to and we were proud that our sisters did such beautiful work. so when all of a sudden we are being condescended to with negative phrases and words simply because we agree with carolena's vision...well, i take umbrage. do i honestly believe you didn't mean us? i'm sorry, no. i can understand being sad that what you thought was perhaps isn't exactly as you thought, but i can't really understand what i, among others, see as dirty pool. there was no one else in that thread that i believe could have sparked such a remark so the remark just came from thin air? not that it really matters anyway, in the great scheme of things. poo happens and people say things. and life goes on.

            but back to the real issue, the issue that has some folks feeling discombobulated and upset, the important issue here: why not, rather than choosing to see all this as "forget the handshake and give back your card, you're out of the ATS club", which it's not, instead, choose to see it as a request by the originator and innovator to reel the whirlwind back in and a regain a little more control since it's her name that is associated with it, good or bad?


  • Re: welcome new members

    Sat, July 28, 2007 - 6:56 PM
    I guess we'll all be red-headed step-children together, then. Delirium has in some ways gone closer to Fat Chance in terms of technique since the hurricane took me away from n.o.madic, but we've also gone further away in terms of coming up with our own moves and combos, and being influenced by the East Coast tribal we're surrounded by over here. Waiting for permission and direction for someone 3000 miles away, and then having to follow it without question or innovation is not really what I'm interested in. I'm my own artist--I suppose I'll call myself whatever tribal and continue doing what I'm doing.
    • Re: welcome new members

      Mon, July 30, 2007 - 12:10 PM
      A rose by any other name.....

      love.
      ali
      (who's always wanted to be a red-head anyway!)
      • Re: welcome new members

        Mon, July 30, 2007 - 3:39 PM
        You'd be hot as a redhead.

        Perhaps we should come up with our own name for those of us who have been trained extensively in ATS, but who have our own take on it. Derivative American Tribal (DATS)? I feel like I want to still have a name that gives indication of my ATS roots, and that we're still heavily and primarily performing ATS, but that we have our own identity separate from Fat Chance and Devyani. I don't really want to throw myself into the "tribal" slushpile, as it's not indicative of my dance heritage, so to speak.
        • Re: welcome new members

          Wed, August 1, 2007 - 8:25 PM

          STINK? STINK? I'LL GO SMELL THAT IN A ....(oops cap' lock)
          i'll go smell that in a minute. but from what i've read here... i'll just say that i avoid the term ATS... and have for a long while. we do improv... or improvisational tribal style dance. or improvisational tribal style belly dance. what ever.

          but yeah - I saw some writings that alluded to ownership of the term ATS a while back, rubbed me the wrong way a bit ....so as an avoidance tactic I don't use it. plenty of alternatives...

          all this labeling... shhheeeeeshh!







          ps
          ( there are so many english teachers on this tribe - i feel like I am being graded...lol...)


          • Re: welcome new members

            Thu, August 2, 2007 - 7:18 AM
            Hi Y'all! I have been a member and a fan for a long time. I am surprised that ATS has not been Trademarked - but this may be coming. Ali, I loved your postings on the FCBD Tribe and sympathized with your "stings" I used to dance with Gypsy Red Tribe, and although we did Improv Tribal Bellydance, we had our own moves, combos, etc and did not use the term "ATS" to describe our dance style.

            BTW, the Tribal Fest thread truned into a STINK on the FCBD Tribe entire thread has been deleted. Too bad because it was getting really interesting due to members of BSBD and Kajira coming on board and expressing thoughts, opinions, etc, members of Devyani defending ATS, etc. Cult of Personality indeed. :)



            • Re: welcome new members

              Sun, August 5, 2007 - 6:37 PM
              wow.
              • Re: welcome new members

                Mon, August 6, 2007 - 8:18 AM
                Hi Heather!!!!!! You are greatly missed here in the Ham. Hope things are well in Phoenix.

                I just want to make clear that I totally respect Carolena's desire to keep the term "ATS" exclusive to her format - thus my comment about Trademarking. On the other hand, I sympathize with dancers/troupes who do not have the luxury to study at the FCBD studio or with Megha, but who are trying their best to work within the framework of ATS. I *appreciate* why Ali felt a "sting" - and I assume she is not the only dancer out there who perhaps felt a cut-off by the directive. Of course, these are personal reactions having only to do with the specific dancers and ultimately are their own problem to resolve.

                As for the cult of personality - I thought this was a brilliant observation. I found a perfect example of phrase in the now deleted thread: the fact that dancers from various troupes stepped up to the plate to defend their teachers, their dance style, and what is or is not ATS! :) I did not read the phrase as insulting, but indicative of how we, as students, admire and often emulate our teachers. Some students will follow traditions to the T, defend their styles, teachers, students, etc, others will be Mavericks who want to bring innovation and new ideas to dance. These are ALL GOOD things: passion, devotion and dedication, as well as creativity and innovation.

                But let's just be honest: there is a PERCEPTION (I am on a lot of Tribes) that "some" dancers appear closed to innovation and creativity and convey the message their format (style) is better, pure, more authentic, etc., resulting in a sense of cliquishness, elitism, snobbery, and so on. I am not saying that this is reality - ONLY perception. I am deeply saddened when I encounter this "perception" - but then I think perhaps it is the nature of the beast, and move on to another thread.

                So what is the BIG DEAL? I don't know...Perhaps, dancers like Ali, identified their dance as ATS for a long time (not a bad thing really) and it is now hard to "re-define"??? To me, perhaps there is a bigger picture: ATS and/or Tribal bellydance is experiencing "Growing Pains" and/or adolescence. We all know that Tribal dance has EXPLODED in popularity in recent years. Did anyone see it coming? Probably not, and perhaps some of what we are seeing is an attempt of "damage control"? Just look at all the threads on what is Tribal, what is ATS!!!!

                Ok, I am rambling....but I want to add that for me, this is a BIG dance world and there is plenty of room for EVERYONE: pros, hobbyists, ATS, Fusion, Tribal, Cabaret, etc. Personally, I love to watch and support GOOD dancing no matter the style. As some of you know, I am having gone back to my "roots" and am studying Egyptian dance again. I hope to someday blend some of my tribal experience with traditional Egyptian dance. Tribaret??? Who knows...

                Much respect to all of you,

                Helen.
                • Re: welcome new members

                  Mon, August 6, 2007 - 8:01 PM
                  if those dancers who appear to be closed to innovation and creativity, who convey the message their style is better, etc. is in some way referring to us, then people need to get to know us instead of listening to what others may say. did i not smile at you once? oh, could i have been thinking about something and not totally aware? could i have not seen you? did i turn away from you when you tried to talk to me? could i have been in a dire need of going to the restroom? did i not initiate conversation with you? could your body language or even your presence have made me feel like you didn't want me to? maybe i'm shy and i wasn't on that day. i think people often look for the negative and when they don't find it, they create it.

                  i would think that anyone who has come to the devyani studio would be hard pressed to truthfully say they were treated poorly and i would think if that perception was out there, people who know better would try to squash it. that's what i would do if the situation were reversed.



                  perhaps it is growing pains or the scramble to contain the growth or whatever, i don't know but i don't believe all of this is warrented. and perhaps you didn't perceive "cult of personality" as derogatory but i did and i believe it is a derogatory term. it has connotations not of independent thought, searching, intellect and conclusions based on education and but of blindly following something because it happened to be there.

                  i agree there is room for everyone in the dance world, in any particular city, in any particular studio. i agree that "mavericks" and "purists", appealing to the extreme of stereotyping, have much to give to any art form, heck most any circumstance. it is all good. i appreciate and love all dance forms done well as well and i look forward to seeing your particular triberet creation or however your muse manifests. hopefull when i come back to visit birmingham, i'll be able to come watch you perform. i know you are doing beautifully - you have always been a joy to watch, you're a stunning dancer and woman with your talent and beatiful, infectious smile..
                  • This is the maximum depth. Additional responses will not be threaded.

                    Re: welcome new members

                    Tue, August 7, 2007 - 7:29 AM
                    Heather - again to be clear...I was NOT making any insinuations about any Devyani dancers and apologize if any of my comments were perceived as directed at anyone in particular. I was actually making a general observation on the MANY threads I read DAILY Tribe and the Bhuz on occasion. Actually my thoughts were reflecting more on the Cabaret vs. Tribal wars that still goes on despite the popularity of ATS, Tribal Fusion, etc.

                    Speaking of Innovative Fusion that caused a stink: do you recall the Hoo-La over Rachel Lazarus Soto and the Asian Majick performance? These ladies were basically called racists by members on the Bhuz! The controversy spilled onto Tribe. I eventually saw a video of the performance and did not understand WHY there was such an up-roar - but have since concluded it is "the nature of the beast" in the bellydance community. How many threads are trying to define Tribal, ATS, and Fusion? How many threads deal with "Is it Bellydance?" I am deeply saddened by all the dissention, lack of support of various styles, drama, and nonsense going on in the dance community. I still say TRIBAL dance (BIG PICTURE) is experiencing growing pains and I hope in time much of the fuss over names, styles, etc will be sorted and hopefully reflected upon as painful but necessary. We shall see... again, as for Carolena's claim for the term ATS - I respect and support her vision. I also respect and support any dancers who choose to commit to ATS just as much as I support any dancer who wishes to be creative

                    And, thank you for your lovely comments. I am not performing these days due to some "age-related" injuries, a new doggie in my home, a step-son who is growing up so fast, and a husband who started his own law practice, but I am taking class and having fun. That's what really matters. :)


                    • Re: welcome new members

                      Tue, August 7, 2007 - 12:10 PM
                      i apologize if i misunderstood your meaning and comments throughout this debacle. this venue for conversation can be sticky. i didn't mean, though, that you felt that way, i just thought you meant you had run into people who perceived devyani that way.

                      andrea and mars did have really great comments, yes. thanks for sharing that.

                      no, i don't get on tribes much and when i do i rarely have the time to explore it as much as i would like unfortunately. i accept i was wrong about the burlesque and i apologize for mis-speaking.

                      congrats to your hubby and to you for your doggie and for just having fun. :)
                      • Re: welcome new members

                        Tue, August 7, 2007 - 4:42 PM
                        Thanks!

                        And please do not feel the need to apologize for standing up for your dance, your dance sisters, etc. I usually lurk on most tribes but had a strong desire to jump in here beause I am a fan of N.O.Madic and wanted to offer support to Ali. I always enjoy her postings, insights, questions, etc. I personally hope the various discussions that have continued will ultimatley serve a greater good for the entire dance community.

                        Helen.
              • Re: welcome new members

                Mon, August 6, 2007 - 8:19 AM
                Hi Heather!!!!!! You are greatly missed here in the Ham. Hope things are well in Phoenix.

                I just want to make clear that I totally respect Carolena's desire to keep the term "ATS" exclusive to her format - thus my comment about Trademarking. On the other hand, I sympathize with dancers/troupes who do not have the luxury to study at the FCBD studio or with Megha, but who are trying their best to work within the framework of ATS. I *appreciate* why Ali felt a "sting" - and I assume she is not the only dancer out there who perhaps felt a cut-off by the directive. Of course, these are personal reactions having only to do with the specific dancers and ultimately are their own problem to resolve.

                As for the cult of personality - I thought this was a brilliant observation. I found a perfect example of phrase in the now deleted thread: the fact that dancers from various troupes stepped up to the plate to defend their teachers, their dance style, and what is or is not ATS! :) I did not read the phrase as insulting, but indicative of how we, as students, admire and often emulate our teachers. Some students will follow traditions to the T, defend their styles, teachers, students, etc, others will be Mavericks who want to bring innovation and new ideas to dance. These are ALL GOOD things: passion, devotion and dedication, as well as creativity and innovation.

                But let's just be honest: there is a PERCEPTION (I am on a lot of Tribes) that "some" dancers appear closed to innovation and creativity and convey the message their format (style) is better, pure, more authentic, etc., resulting in a sense of cliquishness, elitism, snobbery, and so on. I am not saying that this is reality - ONLY perception. I am deeply saddened when I encounter this "perception" - but then I think perhaps it is the nature of the beast, and move on to another thread.

                So what is the BIG DEAL? I don't know...Perhaps, dancers like Ali, identified their dance as ATS for a long time (not a bad thing really) and it is now hard to "re-define"??? To me, perhaps there is a bigger picture: ATS and/or Tribal bellydance is experiencing "Growing Pains" and/or adolescence. We all know that Tribal dance has EXPLODED in popularity in recent years. Did anyone see it coming? Probably not, and perhaps some of what we are seeing is an attempt of "damage control"? Just look at all the threads on what is Tribal, what is ATS!!!!

                Ok, I am rambling....but I want to add that for me, this is a BIG dance world and there is plenty of room for EVERYONE: pros, hobbyists, ATS, Fusion, Tribal, Cabaret, etc. Personally, I love to watch and support GOOD dancing no matter the style. As some of you know, I am having gone back to my "roots" and am studying Egyptian dance again. I hope to someday blend some of my tribal experience with traditional Egyptian dance. Tribaret??? Who knows...

                Much respect to all of you,

                Helen.